Lost
by Trentemøller
NorthernNephilim
NorthernNephilim
the perfect track for an imaginary rollercoaster ride.
Favorite track: Hazed.
Roger Carvey
Roger Carvey
Pieces by a musician who "crafts", an architect of exact emotional, moody deliveries, folding diverse genres in each song, pairing-up each vocalist to the mood of the song. The foundation of each track is definitely electronic, but there is an organic "build" from there on up. Moody, dark, with turns into jazzy-pop, and dance abandonment. Subtle influences, there’s some mid-1980’s feel, especially with the Bass lines; some Siouxsie, Echo, Comsat Angels, New Order, perhaps. Highly Recommended.
Favorite track: Deceive (feat. Sune Rose Wagner).
Rémi
Fabrizio Paolozzi
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Cosmo Borsky
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Claire
Peter Sköld
Jesse
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a n d y
them
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Jens Kasten
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Rob Buitink
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Michael A Henry
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Chris
jowerner
Nihil Matters
K. Thulu
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Mat Agr
Damien C.
Adam Pfeffer
Shran
madopal
Viejo Palero
rockstars_web
Koen Declercq
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Compact Disc (CD) + Digital AlbumSpecial 'Book-case' digital edition with booklet.
Includes unlimited streaming of Lost via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 1 dayPurchasable with gift card€6.49 EUR or more
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Record/Vinyl + Digital AlbumDouble-Vinyl LP in 5 mm sleeve
Includes unlimited streaming of Lost via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 2 daysPurchasable with gift card€16.99 EUR or more
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
€6.99 EUR or more
1. |
The Dream (feat. Low)
06:52
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3. |
Still On Fire
05:27
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5. |
Trails
07:12
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8. |
Morphine
06:12
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11. |
Constantinople
03:59
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12. |
Hazed
13:31
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about
We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller.
“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.
“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.” -Trentemøller
“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.
That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.
Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot.
”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”
Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.
That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.
”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.
You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.
Is this the record you expected from Trentemøller? No.
But would it be a Trentemøller record if you got what you expected? I doubt it.
“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.
“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.” -Trentemøller
“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.
Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.
That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.
Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot.
”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”
Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.
That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.
”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.
You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.
Is this the record you expected from Trentemøller? No.
But would it be a Trentemøller record if you got what you expected? I doubt it.
credits
released September 23, 2013
license
all rights reserved
tags
about
Trentemøller Copenhagen, Denmark
Anders Trentemøller´s talent for melodic moments and exceptional productions, fused with his trademark sound between indie and electronic, has established him as one of the most respected and admired artists and remixers. With ‘Fixion’ he crafted a logical successor to ‘Lost’ - a record that managed to truly capture the visceral live experience of Trentemøller as a full-band. ... more
shows
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Aug 14Sibenik, Croatia
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Aug 15Brindisi, Italy
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Aug 23Tenerife, Spain
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Sep 18Hamburg, Germany
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Oct 17Helsinki, Finland
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Oct 18Tallinn, Estonia
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Oct 19Riga, Latvia
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Oct 20Vilnius, Lithuania
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Oct 21Warsaw, Poland
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Oct 22Krakow, Poland
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Oct 23Prague, Czech Republic
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Oct 25Gothenburg, Sweden
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Oct 26Stockholm, Sweden
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Oct 30Oslo, Norway
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Oct 31Copenhagen, Denmark
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Nov 1Copenhagen, Denmark
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Nov 2Copenhagen, Denmark
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Nov 7Lausanne, Switzerland
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Nov 8Milan, Italy
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Nov 9Rome, Italy
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Nov 9Rome, Italy
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Nov 11Barcelona, Spain
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Nov 12Madrid, Spain
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Nov 14Munich, Germany
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Nov 15Berlin, Germany
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Nov 16Cologne, Germany
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Nov 17Esch Sur Alzette, Luxembourg
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Nov 19Paris, France
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Nov 20Brussels, Belgium
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Nov 21Amsterdam, Netherlands
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Nov 22London, UK
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Nov 23Maastricht, Netherlands
discography
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Sep 2022 -
Feb 2022 -
Jan 2022 -
Nov 2021
contact / help
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