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No More Kissing In The Rain

by Trentemøller

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1.
My dear, I am running out of time Out of sync and closing down And the light begins to fade I close my eyes in the dark One look reveals that it’s time to leave Is this the end of everything? I think It’s time to tear it all apart Some days can feel like razorblades Cutting through the naked skin Ready for the next attack? I catch your eyes in the dark One look can tell that it is time to go Is this the end of everything? Maybe it’s time to tear it all apart No more kissing in the rain I think we need this last goodbye You know I know we’re growing colder No more kissing in the rain
2.
You’re not dead or alive
3.
All Too Soon 04:04
Have you ever fallen Into an inner void? Is the sound of silence All you hear? Is it day or night? Is it anything between? I have to know! Is it love or hate? We can’t live forever If we could we would Be as one together Ah ha ha All too soon we will be gone Do you feel like I do Abandoned from it all? Is a growing darkness All you see ? Is it day or night? Is it love or hate? Is it anything between? We can’t live forever If we could we would Be as one together Ah ha ha All too soon we will be gone We can’t live forever Be as one together We can’t live forever We can’t live forever
4.

about

The collection of songs on Trentemøller’s sixth studio album, Memoria, traverses some ground fans will find familiar, but also digs deeper into themes of transience, and various forms of continuance. His latest single, “No More Kissing In The Rain” gives the impression that it’s easier to find comfort in the darkness when it feels like particles of light are only moments away from assembling, perhaps divulging a bright secret.

“No More Kissing In The Rain” announces itself with an overture to a synth opera shot on supersaturated film. Warm waves of sweeping, lush pads soon land to make space for vocalist Lisbet Fritze’s tone-setting proclamation:
“My dear, I am running out of time.”
Concurrently, her heartfelt vocals are pushed and pulled by an almost playfully mephistophelean synth line. Each glistening guitar glissando bloom projects the feeling that a series of curtains are being drawn back, revealing the next act. The chorus arrives like an unexpected sun flare, overexposing halide crystals, and smearing the emulsion.
“Is this the end of everything?”
It feels like the end of a relationship, but is the relationship between two people, or the corporeal being and its earthbound existence?

“You know I know we’re growing colder.”
The final orchestral tag of this pocket symphony signals its closure. There’s no hint of trepidation, only a sense of comfort, albeit a vague one.
Was the sun flare actually the light at the end of the tunnel?

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released January 14, 2022

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Trentemøller Copenhagen, Denmark

Anders Trentemøller´s talent for melodic moments and exceptional productions, fused with his trademark sound between indie and electronic, has established him as one of the most respected and admired artists and remixers. With ‘Fixion’ he crafted a logical successor to ‘Lost’ - a record that managed to truly capture the visceral live experience of Trentemøller as a full-band. ... more

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