All Too Soon
by Trentemøller
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1. |
All Too Soon
04:04
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Have you ever fallen
Into an inner void?
Is the sound of silence
All you hear?
Is it day or night?
Is it anything between?
I have to know!
Is it love or hate?
We can’t live forever
If we could we would
Be as one together
Ah ha ha
All too soon we will be gone
Do you feel like I do
Abandoned from it all?
Is a growing darkness
All you see ?
Is it day or night?
Is it love or hate?
Is it anything between?
We can’t live forever
If we could we would
Be as one together
Ah ha ha
All too soon we will be gone
We can’t live forever
Be as one together
We can’t live forever
We can’t live forever
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2. |
In The Gloaming
05:18
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You draw me in,
You pull me down
A rose behind all those many thorns
Tears of a silent rain falling
Leading me back to you
Through the dusk, into the dark night
You draw me in,
You pull me down
A rose behind all those many thorns
In the gloaming
All the shadows they fall
In the moonlight
All the stars are aligned
For you
For me
For us to see
You draw me in,
You pull me down
A rose behind all those many thorns
In the gloaming
In the twilight
Will I find a way?
You draw me in,
You pull me down
A rose behind all those many thorns
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about
Copenhagen Denmark’s master of melding melody with the ethereal, Anders Trentemøller, will release “All Too Soon,” the new single from his sixth studio album, Memoria, on October, 15th. It’s a sensory sojourn that lives in the fleeting space where transience and the terrestrial meet.
Once again Lisbet Fritze’s elegantly commanding voice delivers the narrative in a clear expression of unanimity with Trentemøller’s music and lyrics. Trentemøller's distinctive style of combining textures is, of course, present. Dry drums meet headlong with sumptuous reverb trails, feedback stabs antagonize lush passages, and whip cracks of spring reverb commingle with tambourine as percussive flourishes, all directed by a simple, circular, guitar figure that pivots to a majestic bell peal at the chorus.
“All Too Soon” examines ostensibly diametric relationships of light and dark, life and death, day and night, love and hate, while actually presenting them as dualistic, and symbiotic, influencing each other as they interrelate. What might appear to be a
dispiriting take on our mortality could just as easily be interpreted as its acceptance being liberating.
We can’t live forever
If we could we would
All too soon we will be gone
That’s quite a lot to pack into a four minute pop song. Perhaps, though, by the time the song abruptly implodes, the listener is left with a feeling that while it’s guaranteed we will eventually all
shake off this mortal coil, maybe our time here is just an interstitial part of an eternal arc, masquerading as a finite frame.
Once again Lisbet Fritze’s elegantly commanding voice delivers the narrative in a clear expression of unanimity with Trentemøller’s music and lyrics. Trentemøller's distinctive style of combining textures is, of course, present. Dry drums meet headlong with sumptuous reverb trails, feedback stabs antagonize lush passages, and whip cracks of spring reverb commingle with tambourine as percussive flourishes, all directed by a simple, circular, guitar figure that pivots to a majestic bell peal at the chorus.
“All Too Soon” examines ostensibly diametric relationships of light and dark, life and death, day and night, love and hate, while actually presenting them as dualistic, and symbiotic, influencing each other as they interrelate. What might appear to be a
dispiriting take on our mortality could just as easily be interpreted as its acceptance being liberating.
We can’t live forever
If we could we would
All too soon we will be gone
That’s quite a lot to pack into a four minute pop song. Perhaps, though, by the time the song abruptly implodes, the listener is left with a feeling that while it’s guaranteed we will eventually all
shake off this mortal coil, maybe our time here is just an interstitial part of an eternal arc, masquerading as a finite frame.
credits
released October 15, 2021
license
all rights reserved
tags
about
Trentemøller Copenhagen, Denmark
Anders Trentemøller´s talent for melodic moments and exceptional productions, fused with his trademark sound between indie and electronic, has established him as one of the most respected and admired artists and remixers. With ‘Fixion’ he crafted a logical successor to ‘Lost’ - a record that managed to truly capture the visceral live experience of Trentemøller as a full-band. ... more
shows
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Aug 14Sibenik, Croatia
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Aug 15Brindisi, Italy
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Aug 23Tenerife, Spain
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Sep 18Hamburg, Germany
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Oct 17Helsinki, Finland
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Oct 18Tallinn, Estonia
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Oct 19Riga, Latvia
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Oct 20Vilnius, Lithuania
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Oct 21Warsaw, Poland
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Oct 22Krakow, Poland
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Oct 23Prague, Czech Republic
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Oct 25Gothenburg, Sweden
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Oct 26Stockholm, Sweden
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Oct 30Oslo, Norway
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Oct 31Copenhagen, Denmark
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Nov 1Copenhagen, Denmark
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Nov 2Copenhagen, Denmark
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Nov 7Lausanne, Switzerland
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Nov 8Milan, Italy
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Nov 9Rome, Italy
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Nov 9Rome, Italy
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Nov 11Barcelona, Spain
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Nov 12Madrid, Spain
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Nov 14Munich, Germany
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Nov 15Berlin, Germany
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Nov 16Cologne, Germany
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Nov 17Esch Sur Alzette, Luxembourg
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Nov 19Paris, France
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Nov 20Brussels, Belgium
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Nov 21Amsterdam, Netherlands
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Nov 22London, UK
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Nov 23Maastricht, Netherlands
discography
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Sep 2022 -
Feb 2022 -
Jan 2022 -
Nov 2021
contact / help
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